Skip to main content

Official Video Debut of “Little Something” by Carl Giammarese & Lisa McClowry

From the simplest sounds of a solo guitar can come the most powerful of unforgettable songs that stay on your mind long after you’ve heard them in the car, on your phone, or on other electronic delivery means. Just hearing two voices seemingly made to blend together can easily send the listener into creative mode, envisioning the scenes being sung about and adopting the mood that is conveyed by sterling lyrics.

Such is the song, “Little Something,” cowritten by Sting and Dominic Miller. Today marks the release of the Official Video of the song as performed by Chicago-based singer/songwriter Carl Giammarese and Chicago native, Lisa McClowry. Despite the scenes portrayed in the video, the duo was never in person during the making of the song, or of the official video.

However, the “together from far away” method of song and video production, today, is almost routine procedure that artists have taken to share music and be creative during the safe, sure, and confining times of the global pandemic of COVID-19. Fortunately for Carl and Lisa, Greg Bizarro of Jaffe Films was the “third talent” behind the scenes, who created the finished video. The perspective shows the duo together in all the scenes of “movie magic.”

It should be noted, though, that the original version of the song was done by Sting and Melody Gardot in exactly the same way—from two different venues altogether. Melody was in Paris fulfilling her final work on an album. She reached out to several star musicians in Paris who she knew were not working their usual schedules yet, to record the music, in a separate setting of their own, an unexpected blessing for the talented professionals waiting to catch a break.

In the magazine Soul & Jazz & Funk, journalist Charles Waring describes Melody Gardot’s voice as “instantly recognizable,” fitting into the distinctive group of Astrud Gilberto and Sarah Vaughn. Said Gardot of the "working at a distance" process: "Up until that point (when producer Jen Jis brought her Sting's track), I had never met Sting; we only met through the music. It’s quite funny, but beautiful in a way to work like this; all that mattered was the music.” The blend of Gardot and Sting seems made for each other, as does the pairing of McClowry with Giammarese.

It’s all about the blend, and clearly these artists have that same sound, in sync with the right feeling for the song. Carl has been a longtime fan of duos such as Steve Lawrence and Eydie Gorme, Marvin Gaye and Tammi Terrell, Diana Ross and Lionel Richie, Pink with Nate Ruess, and as he says, “anything Tony Bennett did with Lady Gaga.”

A quick listen to a few of these songs readily identifies why we resonate as listeners when two singers blend perfectly:

Marvin & Tammi — “Ain’t No Mountain High Enough” (written by Nick Ashford & Valerie Simpson)

Pink ft. Nate Ruess —“Just Give Me a Reason” (written by Pink, Nate Ruess, * Jeff Bhasker)

Steve & Eydie —“This Could Be The Start of Something Big” (written by Steve Allen)

The song by Carl & Lisa, “Little Something” is the second pairing for the singers. In May this year, they released their remake of the first hit by The Buckinghams on Columbia Records, “Don’t You Care” (watch below)

Lisa has just returned from an extensive tour series with an ensemble group she’s performed with for several years. Carl is only now back on the road again leading The Buckinghams on a new concert tour, the first to emerge after proper planning made it possible to tour again under socially safe conditions and constraints. Music is making its way back into the forefront of entertainment for everyone. In the meantime, enjoy a “Little Something” from Lisa McClowry and Carl Giammarese.

Next Story Coming Soon — The Residual Singers

Comments

Popular posts from this blog

Remembering Frank Tesinsky, Beloved Chicago Musician, Key to The Buckinghams' Characteristic Sound

Each time the opening notes to “Kind of a Drag” come on the air, whether it’s your car radio, your phone, or choice of streaming media, the first 23 notes you hear inform you immediately that not only are you hearing “Kind of a Drag,” but you are hearing The Buckinghams. That instant recognition, in turn, is thanks to the talent of musician Frank Tesinsky, who arranged the iconic tune for producers Dan Belloc and Carl Bonafede in a 1966 recording session in Chicago’s Chess Studios. The Buckinghams family was greatly saddened to learn of Frank’s passing on November 9. Catherine Johns, his wife of 32 years, was a beloved part of his life and part of Chicago radio as well. In February 1967 "Kind of a Drag" was #1 on the Billboard charts for two weeks, and it forever defined the sound of five young men from the northside of Chicago. Just 27 notes, right? And yet, it defined the magic of what would become known as “the horn sound” that The Buckinghams are b...

What Celebrating 50 Years Since Reaching #1 on Billboard Means in the World of The Buckinghams

Everyone who is a fan of the band The Buckinghams can easily name all the songs that were Top 10 hits, Top 20 hits, and Billboard Top 100 chartmakers. You have several songs that have personal, special meaning for you. But the song that took the native Chicagoans out of the basements of the band members' homes was the one USA Records released last, almost as an afterthought. "Kind of a Drag" has the distinction of being the song that took this band to the national level. Many wonderful bands are part of Chicago history, and they are as beloved today as they were in their time. But this one song, "Kind of a Drag" took flight and went to #1 on Billboard 50 years ago today, February 18, 1967. Imagine what it was like for five young men to hold a copy of "Billboard" in their hands. For a few years, Carl and Jon-Jon had gone to the newsstand each week, buying a single copy of "Billboard" and reading it cover to cover. These days you hear about ...

In Memory of John Poulos, March 31, 1947 - March 26, 1980

Five days before his 33rd birthday, we lost John Poulos, a dear friend who was like a brother to us, as well as The Buckinghams’ drummer. Often described as the heartbeat of our band, he was known to most Buckinghams’ fans of the 60s simply as Jon-Jon. To know John was to love him. With his outgoing personality, he never met a stranger. His talent is remembered best in the style he displayed on drum fills and riffs on our hits, including “Don’t You Care,” “Hey Baby, They’re Playing Our Song,” and “Kind of a Drag.” It’s not surprising that Jon-Jon was included as one of the Top 10 drummers in Modern Drummer Magazine. Contemporary MySpace profiles of aspiring amateur and professional musicians today include the name John Poulos among their musical influences. That’s an honor both fitting and accurate for a musician who was truly one of a kind. Nick and I recall that one of John’s own musical influences was Bobby Elliot, drummer for The Hollies, whose signature beret and tossing of his he...