Skip to main content

Conway, AR Concert Review--Crowd Grooves to 60s Rock

There's no doubt that The Buckinghams are beloved in the South, just as much as they are in the Midwest, Northeast, and Western United States. After all, "Kind of a Drag" went to #1 in the country in Little Rock, AR before it was #1 across the country on the Billboard charts. Friday, March 4th, The Buckinghams traveled to Conway, Arkansas to the campus of the University of Central Arkansas and the stately Reynolds Performance Hall for a concert with Blood, Sweat and Tears, who opened the evening with a superb concert with a rich, royal version of "Spinning Wheel."

The Buckinghams first releases on Columbia Records were produced by the band's manager, James William Guercio. Following on an excellent first Blood, Sweat and Tears album, produced by band member Al Kooper, Columbia Records asked Guercio to produce BSandT's second album, "Spinning Wheel," which was nominated for 3 Grammy Awards, before winning for Best Instrumental Arrangemeent for Fred Lipsius, sax player for BSandT. The concert in Conway was a musical 'full circle' for the two great bands to present audiences with the great pop rock horn sounds initiated by The Buckinghams and carried to further success by BSandT. The roots of rock and roll are rich and run wide indeed. DLW


From a review by Allyson McNabb, posted March 6, 2011 in My Fountain online:

"After intermission, The Buckinghams took the stage to roaring applause and cheers. They opened with their 1967 chart- topping hit, “Don’t You Care.” The audience loved their “60s Medley,” which had the crowd clapping and nodding in time with the music. The Buckinghams chatted with the audience and told stories about their rise to fame." and

"They played their hit “Susan,” which they debuted on the Ed Sullivan Show. They closed with the classic rock song that made them famous, “Kind of a Drag.” The audience quickly rose to their feet with cheers. The band played an encore, then greeted people in the atrium of Reynolds."

Full review found at: http://www.myfountainonline.com/crowd-grooves-to-60s-rock

Comments

Popular posts from this blog

In Memory of John Poulos, March 31, 1947 - March 26, 1980

Five days before his 33rd birthday, we lost John Poulos, a dear friend who was like a brother to us, as well as The Buckinghams’ drummer. Often described as the heartbeat of our band, he was known to most Buckinghams’ fans of the 60s simply as Jon-Jon. To know John was to love him. With his outgoing personality, he never met a stranger. His talent is remembered best in the style he displayed on drum fills and riffs on our hits, including “Don’t You Care,” “Hey Baby, They’re Playing Our Song,” and “Kind of a Drag.” It’s not surprising that Jon-Jon was included as one of the Top 10 drummers in Modern Drummer Magazine. Contemporary MySpace profiles of aspiring amateur and professional musicians today include the name John Poulos among their musical influences. That’s an honor both fitting and accurate for a musician who was truly one of a kind. Nick and I recall that one of John’s own musical influences was Bobby Elliot, drummer for The Hollies, whose signature beret and tossing of his he...

In Memoriam — Martin Joseph Grebb

On the first day of a new year and a new decade, friends and family of Marty Grebb read a post on his Facebook page that sparked instant concern. The composition he shared had required much thought, and in it, Marty shared his love, regard, concern, and caring for virtually every person he’d worked with professionally, loved in his lifetime, and showed how deep his feelings ran for an earlier day and time when his body and mind were not wracked in pain by the five types of cancer he said he’d battled over time. The outpouring of love and support, expressions of concern, reminders of so many who had friended him on Facebook and felt as though they’d really known him, were nothing short of amazing. Offers of “please call me” or “we are worried about you” or “hang on, brother, we are here” filled the comments section. If there were a point in time when he was wavering in his attitude about what his plan was, everyone did whatever they could yesterday, New Year’s Day, to show their supp...

Remembering Frank Tesinsky, Beloved Chicago Musician, Key to The Buckinghams' Characteristic Sound

Each time the opening notes to “Kind of a Drag” come on the air, whether it’s your car radio, your phone, or choice of streaming media, the first 23 notes you hear inform you immediately that not only are you hearing “Kind of a Drag,” but you are hearing The Buckinghams. That instant recognition, in turn, is thanks to the talent of musician Frank Tesinsky, who arranged the iconic tune for producers Dan Belloc and Carl Bonafede in a 1966 recording session in Chicago’s Chess Studios. The Buckinghams family was greatly saddened to learn of Frank’s passing on November 9. Catherine Johns, his wife of 32 years, was a beloved part of his life and part of Chicago radio as well. In February 1967 "Kind of a Drag" was #1 on the Billboard charts for two weeks, and it forever defined the sound of five young men from the northside of Chicago. Just 27 notes, right? And yet, it defined the magic of what would become known as “the horn sound” that The Buckinghams are b...